Jun 30, 2016–Oct 30, 2016
Stanley Kubrick exerted complete artistic control over his projects; in doing so, he reconceived the genres in which he worked. The exhibition covers the breadth of Kubrick’s achievements, beginning with his photographs for LOOK magazine taken in the 1940s, and continuing with his directorial achievements of the 1950s through the 1990s. His films are represented through annotated scripts, production photography, lenses and cameras, set models, costumes, and props. In addition, the exhibition explores Napoleon and Aryan Papers, two projects that Kubrick never completed, and the technological advances developed by Kubrick and his team.
This exhibition is organized by the Deutsches Filmmuseum, Frankfurt am Main, Christiane Kubrick and The Stanley Kubrick Archive at University of the Arts London.
In conjunction with Stanley Kubrick: The Exhibition on view at The CJM, the Alamo Drafthouse is showing Kubrick films in color, the YBCA is presenting the film series Kubrick in Black and White, and the SF Symphony is playing 2001: A Space Odyssey with a full orchestra.
Spotlighting the early and mid-career of Kubrick, we see the artist evolve from a highly skilled, street-level photographer to the brilliant, meticulous creator of some of the most ambitious and powerful films in cinema history. CJM Members receive a special discount to YBCA screenings
Paths of Glory (1957, 35 mm, 88 min), Friday, Jul 15, 2016 • 7:30pm
The Killing (1956, 35mm, 85min.), Saturday, Jul 16, 2016 • 7:30pm
The Killing (1956, 35mm, 85min.), Sunday, Jul 17, 2016 • 2pm & 4pm
Paths of Glory (1957, 35 mm, 88 min), Sunday, Jul 17, 2016 • 2pm & 4pm
Fear and Desire (+ short films) (1953, 35mm, 62 min.), Thursday, Jul 21, 2016 • 7:30pm
Killer’s Kiss (1955, 35mm, 67min), Saturday, Jul 23, 2016 • 7:30pm
Fear and Desire (+ short films) (1953, 35mm, 62 min.), Sunday, Jul 24, 2016 • 2pm & 4pm
Killer’s Kiss (1955, 35mm, 67min), Sunday, Jul 24, 2016 • 2pm & 4pm
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, 35mm, 95 min.), Thursday, Jul 28, 2016 • 7:30pm
Lolita (1962, 35mm, 95min.), Saturday, Jul 30, 2016 • 7:30pm
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, 35mm, 95 min.), Sunday, Jul 31, 2016 • 2pm & 5pm
Lolita (1962, 35mm, 95min.), Sunday, Jul 31, 2016 • 2pm & 5pm
Picking up the baton from the YBCA’s Kubrick in Black and White series, the Alamo Drafthouse at the New Mission focuses on Kubrick’s career from 1968 to 1999.
The Shining (1980, 144min.), Saturday, Aug 13, 2016
Eyes Wide Shut (1999, 159min.), Wednesday, Aug 31, 2016
Barry Lyndon (1975, 187min.), Sunday, Sep 4, 2016
Full Metal Jacket (1987, 116min.), Wednesday, Sep 7, 2016
2001: A Space Odyssey (1968, 142min.), Sunday, Sep 18, 2016
A Clockwork Orange (1971, 136min.), Saturday, Sep 24, 2016
The San Francisco Symphony Presents 2001: A Space Odyssey (1968, 142min.)
Feature film with the score performed live by the San Francisco Symphony.
Thursday, Oct 13, 2016 • 8pm
Friday, Oct 14, 2016 • 8pm
Saturday, Oct 15, 2016 • 8pm
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Let's Try That Again…, Studio O + A
'Stanley Kubrick: The Exhibition' Review: An Auteur's Relics, The Wall Street Journal
Lori Starr and Gravity Goldberg: Contemporary Jewish Museum, CBS SF Bay Area
Techonomics: Anastasia James, curator of the Stanely Kubrick exhibit at the Contemporary Jewish Museum, KGO Radio
2016: A Stanley Kubrick Odyssey: Legendary Filmmaker's Work on Display at CJM, Broke-Ass Stuart
Three Great Art Shows in San Francisco This Season: Kubrick, Ruscha and China, The Street
SF Jewish Museum celebrates Stanley Kubrick's films and legacy, KTVU
Stanley Kubrick's Film Career on Display in San Francisco, Real Clear Life
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Stanley Kubrick Returns: The First Museum Exhibition of His Work, Crave
The Secret Jewish History of Stanley Kubrick, The Jewish Daily Forward
Stanley Kubrick: The Exhibition, Hadassah
SF's Contemporary Jewish Museum Pays Tribute to Stanley Kubrick in Sublime New Exhibit, 7 x 7
Stanley Kubrick: The Exhibition—Tim Heptner Interview, Killer Movie Reviews
CJM Hosts Touring Kubrick Retrospective, SF/Arts
Stanley Kubrick Exhibition: 'Mythbusters' Adam Savage Takes a Pilgrimage to the Traveling Retrospective, Indiewire
Stanley Kubrick at The CJM, Podseeker
Stanley Kubrick's strange, controversial world comes alive in new exhibit, The Mercury News
Scripts, costumes, photos: the universe of Stanley Kubrick presentation in San Francisco, French Morning
Now Playing: Early, Essential Kubrick and a Dreamy Double Feature, KQED Arts
Kubrick Fans Go Gloopy Over Museum Show!, CineSource Magazine
The Stanley Kubrick Exhibit at the Contemporary Jewish Museum, Eventseeker
Stanley Kubrick: The Exhibition—Katharina Kubrick Interview, Killer Movie Reviews
A Clockwork Kubrick, The Bay Area Reporter
Sights & Sounds Weekly: Corey Rosen, KALW
Kubrick: The Cabinet of Dr. Strangelove, SF Weekly
Adam Savage recreates 'The Shining' maze for Stanley Kubrick Exhibit, zap2it
Adam Savage's Overlook Maze Model Returns Home!, Tested
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Previously inaccessible materials from Kubrick's estate provide an in-depth view of the filmmaker's life and work, Art Daily
Stanley Kubrick The inescapable at the Jewish Museum of San Francisco, Alliance
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Stanley Kubrick is an exhibition by the Deutsches Filmmuseum, Frankfurt am Main, Christiane Kubrick, Jan Harlan, and The Stanley Kubrick Archive at University of the Arts London, with the support of Warner Bros. Entertainment Inc., Sony-Columbia Pictures Industries Inc., Metro Goldwyn Mayer Studios Inc., Universal Studios Inc., and SK Film Archives LLC.
The CJM’s presentation is made possible by lead sponsorship from the Bernard Osher Jewish Philanthropies Foundation. Major sponsorship from Osterweis Capital Management. Patron sponsorship is provided by Gaia Fund, Maribelle and Stephen Leavitt, Nellie and Max Levchin, Julie and David Levine, RayKo Photo Center, Dorothy R. Saxe, and Wendy and Richard Yanowitch. Supporting sponsorship is provided by an anonymous donor, Naomi and Jeffrey Caspe, Dana Corvin and Harris Weinberg, Morton and Amy Friedkin, Rosanne and Al Levitt, Siesel Maibach, Shana Nelson Middler and David Middler, Shelli Semler and Kyle Bach. Additional support is provided by an anonymous donor, Alvin H. Baum, Jr., Sally-Ann and Ervin Epstein, Jr., Joelle Steefel, Ruth and Alan Stein, and Wetherby Asset Management.
Additional support is provided by The Contemporary Jewish Museum’s Bernard and Barbro Osher Exhibition Fund.
Major support for The Contemporary Jewish Museum’s exhibitions and Jewish Peoplehood Programs comes from the Koret Foundation.